How does Rossetti rationalize these two poles? Does she? How is desire framed as spiritual and/or the spiritual experienced through desire?
Requirements:
The goblin market, tension between desire and sexuality.
How does Rossetti rationalize these two poles? Does she? How is desire framed as spiritual and/or the spiritual experienced through desire?
In the contemporary art world, spirituality and cosmic themes continue to be explored in a range of media and styles. Some artists, like James Turrell and Olafur Eliasson, create immersive installations that play with light and perception, inviting viewers to experience a sense of transcendence and awe. Others, like Yayoi Kusama and Takashi Murakami, use vibrant colors and playful imagery to explore themes of infinity and interconnectedness. Still others, like Anish Kapoor and Shirin Neshat, draw on their cultural and spiritual backgrounds to create works that speak to the intricacies of identity and the human experience.